Step into the enchanting world of Edwardian London for one of musical theatre’s most beloved classics, My Fair Lady.

When Professor Henry Higgins, a brilliant but rather pompous expert in phonetics, encounters Eliza Doolittle, a spirited Cockney flower seller, he makes a wager that he can transform her into a refined society lady simply by changing the way she speaks.

With the help of Colonel Pickering, Higgins begins an extraordinary experiment, teaching Eliza the language, manners and confidence she needs to pass as a lady of high society. But as Eliza’s transformation takes her from the streets of Covent Garden to the glittering world of Ascot and beyond, she begins to discover something far more important than perfect pronunciation — her own independence and sense of self.

Packed with unforgettable songs including Wouldn’t It Be Loverly?, The Rain in Spain, I Could Have Danced All Night, Get Me to the Church on Time and I’ve Grown Accustomed to Her Face, My Fair Lady is a sparkling celebration of love, identity, class and the power of finding your own voice.

Funny, romantic and filled with timeless music, My Fair Lady promises an unforgettable theatrical experience for audiences of all ages.

CHARACTER BREAKDOWN -

Eliza Doolittle - A spirited Cockney flower girl whose transformation into a refined young woman challenges everything she believes about herself and society.Soprano / Mezzo-Soprano — G3 to G5

Professor Henry Higgins - A brilliant, eccentric and opinionated professor of phonetics who takes Eliza on as an experiment in speech and social transformation.Baritone — A2 to F♯4

Colonel Hugh Pickering - A charming, gentlemanly expert in Indian dialects who becomes Higgins's friend and Eliza's greatest supporter.Baritone — A2 to E4

Alfred P. Doolittle - Eliza's lovable, cheeky and philosophical dustman father, who has a remarkable talent for talking his way out of almost anything.Baritone — A2 to E♭4

Mrs. Higgins - Henry's elegant and perceptive mother, who sees through her son's arrogance and quickly develops genuine affection for Eliza.Non-singing / Spoken

Mrs. Pearce - Higgins's practical and long-suffering housekeeper, who keeps his chaotic household—and Higgins himself—in check.Non-singing / Spoken

Freddy Eynsford-Hill - A charming and hopelessly romantic young gentleman who falls head over heels for Eliza.Tenor — C3 to F4

Mrs. Eynsford-Hill - A respectable society lady determined to maintain appearances despite her family's financial difficulties.Non-singing / Spoken

Clara Eynsford-Hill - Freddy's fashionable and socially ambitious sister, eager to embrace the latest trends and fashions.Soprano — B3 to G5

The Parlour-Maid - Higgins's young maid, who witnesses the chaos of his household and helps bring the world of Wimpole Street to life.Non-singing / Spoken

The Queen of Transylvania - The glamorous royal guest at the Embassy Ball, where Eliza's transformation is put to the ultimate test.Non-singing / Spoken

The Ambassador - The distinguished host of the Embassy Ball, presiding over one of the most important moments of Eliza's transformation.Non-singing / Spoken

Zoltan Karpathy - A flamboyant Hungarian phonetics expert who attempts to expose Eliza as an impostor at the Embassy Ball.Baritone / Tenor — approximately B2 to E4

Mrs. Higgins's Maid - A member of Mrs. Higgins's household who assists with the social world surrounding the Higgins family.Non-singing / Spoken

The Flower Girl / Street Sellers - London street characters who populate Covent Garden and establish the lively world in which Eliza begins her journey.Various

Cockneys / Costermongers / Bystanders - The colourful people of Edwardian London who bring the streets, market and social gatherings to life.Various

Ascot Ladies & Gentlemen - Members of high society attending the races, representing the polished world Eliza is learning to navigate.Various

Servants / Footmen / Embassy Guests - The staff and distinguished guests who populate the grander social settings of the musical.Various

We will be looking for a dancing ensemble as well as a vocal ensemble.